War art belongs to an aesthetics that is derived from practical and real-world encounters, and which sets to apprehend the world via sense-based and affective processes.
Speaking and hearing are not necessarily opposite terms. They are part of the politics of silence and its ambivalence. Speaking creates meanings and forges connections.
This volume explores the nexus between emotions, world politics, and war and argues that IR debates should tackle the political dimensions of emotions.
Åhäll’s volume explores cultural representations of female political agency and female political violence through the metanarrative of motherhood.
A timely collection that reflects the contemporary zeitgeist of LGBT politics, raises important disciplinary questions, and promises to open up new dialogue within IR.
Despite minor methodological shortcomings Rahman’s book is an excellent and stimulating work for readers who focus on the role identity plays in politics.
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