Aesthetic forms of revolt live on in the collective memory as well as in their material forms, and continue to provide a repertoire for subsequent political action.
Framing migration as a security issue enacts a conception of political community based on fear, in which belonging is determined beyond democratic political contestation.
Despite the centrality of violence to Fanon’s theses on decolonisation, he recognises the dangers, physical and psychological, of violence without a cause.
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