Amy Niang’s book takes up the urgent task of our collective postcolonial moment: to trace and critique historical trajectories, while finding in these the possibility to extract and abstract a plurality of modes of being, so as to create future imaginaries.
Amidst hundreds of thousands of stateless individuals worldwide the crisis of statelessness and citizenship revocation is a crisis of fundamental human rights.
Eliza Garnsey explains the role art can play in transitional justice, how art can be a form of political participation, and the meaning of ‘visual jurisprudence’.
State therapeutic apparatuses are based on a false premise that immigrants are incapable of acquiring the behaviours, language and cultural values of the host country.
If pictures of migrants result only in plans to strengthen borders, invoking the legal obligations of an internationally accepted policy may be the best way forward.
2011 marked the culmination of a range of developments at national, regional and global levels which indicate that there is not just every reason for states to want to do more to address statelessness, but also that something can be done about it.
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